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'Authenticity' is one of the most influential factors that determine a course of action for a work of art in need of conservation. It is also one of the most contested, and currently subject to critical revision, reinvestment, and redirection. The papers presented in this volume focus on a series of conservation 'flashpoints' - painted works, drawings, sculpture, installations, new media, performance, interiors and historic houses, cultural objects - and revolve around three key areas considered vital in establishing or vouchsafing an artwork's 'authenticity': material, concept and context. A wide range of approaches, some object-based, some more conceptual and philosophical, demonstrate that although the term authenticity is generally employed in the singular, the values associated with it are multiple, multilayered and often competing. The papers, each in their own way, evaluate the critical potential of the pluralised form, 'authenticities', creating a platform for a continuous discussion on this important and fascinating theme. Proceedings from the Art, Conservation and Authenticities: Material, Concept, Context international conference, University of Glasgow, 12-14 September 2007. 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This book originally published May 2005 in association with the British Museum contains papers on mounting and housing presented at the two-day international conference Mounting and Housing, Art on Paper for storage and display, history, science and present-day practice.(19th /20th May 2005) Contents 1. Historical Mounting The Royal Mount - 250 years of mounting practice in the British Royal Collection(Alan Donnithorne) The photographic mount: a brief historical outline (Laura D. Staneff) Treatment of framed paper in the historic houses of the National Trust.(Andrew Bush) 2. Materials and Microenvironments What happens to enclosed paper? (Joanna Kosek and David Jacobs) The quest for acceptable standards: mount boards and hinging papers, tapes and adhesives for mounting and framing (Barry C. Leveton) Open-minded storage: a box-maker?s perspective on housing art on paper (Stuart Macdonald Welch) Print frame microclimates (David Thickett) Out of the box - measuring micro-climates in Australian-made Solander boxes (Belinda Gourley, Caitlin Granowski and Andrea Wise) Investigation of historical and modern conservation daguerreotype housings(Hanako Murata) Anoxic framing investigations at Tate to date(Katharine Lockett and Brian McKenzie) The Declaration of Independence, the United States Constitution and Bill of Rights: scientific basis and practice of encasement (Catherine Nicholson and Mary Lynn Ritzenthaler) Argon-filled containers for the display of paper (Nancy Purinton and Joan Irving) 3. Contemporary Practice in Mounting a. Mounting as part of Preservation Planning Mounting and housing in a modern collection: Moderna Museet (Alison Norton and Ellen Cronholm) Storage solutions for large format works on paper (Michelle Facini) Developing a preservation programme for modern unframed and unglazed photographic and digital artworks (.gels Arribas, Keith Morrison and James Berry) Wellcome moves (Caroline Checkley-Scott and Julia Nurse) 2-D or not 2-D that is the question? The storage and display of rolled wallpapers (Nicola Walker and Christine Woods) Mounting in a tropical climate: preservation, display and storage of the graphic art collection at the Victoria Memorial Hall, Kolkata, India (R.P. Savita and P.K. Agarwal) b. Overviews and case studies Conservation mounting at the V&A: an overview of techniques (Clair Battisson, Chris Gingell and Simon Fleury) The display of single-sheet material: two recent exhibitions at the Bodleian Library, Oxford (Andrew Honey) Reproducing decorative mounts (Louise Bradley) A 1960s classic: researching an approach to the treatment of an unstable framed linocut by Edward Bawden (Alice Powell) Housing and storage solutions for four book of hours bi-folios (Jordi Casasayas) Mounting and framing of gouaches by the CoBrA Movement (Piet van Dalen and Jan Stokmans) c. Oriental and African Works Advantages and disadvantages of the hanging scroll format from a conservation viewpoint (Yasuhiro Oka) Don?t throw away the box (Simon Fleury) Wrap and roll or flatten and hinge: approaches to storage and display of Chinese art on paper (David Green and Jin Xian Qiu) Mounting papyri at the British Museum (Bridget Leach) Mounting of African paintings and scrolls: two case studies on textile and parchment (David Giles and Victoria de Korda) East meets West - solutions for housing papyri and thangkas (Nicola Lewis) Mounting fragile Tibetan and Asian material at the British Library: exhibition and storage (Ian Swindale)

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Sally Woodcock","storedescription":"This publication documents situations faced by both conservators and curators when working with paintings ranging in scale from unusually large portraits to panoramas. Solutions for the problems presented by pictures too large for lorries, unable to fit through windows and doors and beyond the dimensions of any lining table are described in detail, discussing work in a range of formats, including friezes, theatre cloths and ceiling paintings. These projects demonstrate how large-scale works of art can be moved, treated, displayed and stored safely and efficiently and reveal the ingenuity, flexibility and audacity required when dealing with big pictures. Contents: 1. Foreword by Jim France 2. Conservation of Large Miniatures on Ivory, by Alan Derbyshire 3. The Conservation of Large-Format Works of Art on Paper, by Jean E. Brown 4. The Conservation and Reinstatement of the Lonsdale Frieze, by Mount Stuart Clare Meredith and Colleen Donaldson 5. Installation of L?Escargot by Henri Matisse, by Calvin Winner 6. Cy Twombly: Big Pictures in a Travelling Retrospective, by Michael Duffy 7. Touring Robert Rauschenberg?s 32-ft Long Painting Barge, by Gillian McMillan 8. The Problem of the Seven Foot Door, by Ian McClure 9. ?The Unloved Painting? by Guido Reni, by Christine Leback Sitwell 10. Using Aluminium for a Stretcher: A Practical Assessment, by Jacqueline Ridge, Dave Jones and Jack Warans 11. The Challenges of Storing a Collection of Theatre Backcloths, by Nicola Costaras and Stephen King 12. The Battle with Trafalgar, by Valentine Walsh and Richard Pelter 13. A Cold-Lining Technique for Large-scale Paintings, by Kate Seymour and Jos van Och 14. The Structural Treatment of a Series of Large Dynastic Portraits of Louis X1V and Family Onsite at Chateau de Balleroy, Normandy, by Jim Dimond with Warwick MacCallum 15. The Restoration of Caravaggio?s The Beheading of Saint John the Baptist, by Marco Ciatti 16. The Battle of Meanee by Edward Armitage, 1847, by Claire Chorley 17. The Defeat of the Floating Batteries off Gibraltar by John Singleton Copley: History and Display, by Gerry Alabone with Louise Dandy 18. 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Twenty-one contributors discuss general aspects of museum care, explain techniques for particular materials, and address important cultural considerations. From methods of storage and handling to preservation of skin and quills, from cleaning beadwork to dealing with pesticide contamination, from applying labels to planning a respectful display, this book supplies both the overview and the specific detail needed to provide the best possible care. The recommendations emphasize actions that are economical and useful for any curator. American Indian people have applied tribal methods to the care of their cultural items for generations. This book does not propose to replace these techniques. Instead it offers conservators and collectors helpful information on standard museum practice to aid them in making decisions to slow deterioration. Over 100 color and black-and-white photos illustrate curatorial techniques and materials and illustrate how many of the items were used by American Indians. 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Principles and methods involved in the cleaning and restoration of historical and archaeological glass objects are addressed,including aspects of deterioration, the ethics and aesthetics of restoration, and proper conditions for storage and display. There is also a discussion of techniques for repairing broken glass and for filling gaps in colorless and colored glasses. Particular emphasis is placed on the correct and safest methods of handling, cleaning, displaying, mounting, lighting, transporting, and storing glass objects, with an in-depth look at the causes and symptoms of ?sick? (crizzled) glasses. Stephen Koob has been the conservator at The Corning Museum of Glass in Corning, New York since 1998","custitem_ec_exclude_from_site_search":false,"location":"NY Warehouse","urlcomponent":"Conservation-and-Care-Of-Glass-Objects"},{"isinstock":true,"onlinecustomerprice":15.0,"custitem_ec_show_as_category":false,"ispricevisible_detail":{"inpersonalizedcatalog":true,"bycurrentuserloginstatus":true},"ispurchasable_detail":{"inpersonalizedcatalog":true,"bystockavailability":true},"itemid":"TBK007085","ispricevisible":true,"ispurchasable":true,"onlinecustomerprice_formatted":"$15.00","stockdescription":"","isbackorderable":true,"itemimages_detail":{"PARENT":{"urls":[{"altimagetext":"","url":"https://www.talasonline.com/images/TBK007085_PARENT-0.jpg"}]}},"onlinecustomerprice_detail":{"onlinecustomerprice_formatted":"$15.00","onlinecustomerprice":15.0},"custitem_product_badges":" ","custitem_f_color":" ","internalid":529,"showoutofstockmessage":false,"outofstockbehavior":"- Default -","itemtype":"InvtPart","itemoptions_detail":{"fields":[{"internalid":"custcol_item_weight","label":"Item Weight","type":"text"},{"internalid":"custcol_item_weightunit","label":"Item Weight Unit","type":"text"},{"internalid":"custcol_pacejet_item_weight","label":"Pacejet Weight","type":"float"},{"internalid":"custcol_ava_item","label":"Item","type":"text"},{"internalid":"custcol_ava_incomeaccount","label":"IncomeAccount","type":"text"},{"internalid":"custcol_ava_taxcodemapping","label":"TaxCode Mapping","type":"text"},{"internalid":"custcol_ava_udf1","label":"UDF1","type":"text"},{"internalid":"custcol_ava_udf2","label":"UDF2","type":"text"},{"internalid":"custcol_ava_upccode","label":"UPC Code","type":"text"},{"internalid":"custcol_ava_pickup","label":"Pick Up","type":"checkbox"},{"internalid":"custcol_ava_taxamount","label":"Tax Amount","type":"currency"},{"internalid":"custcol_ava_shipfrom_vat_bin","label":"Ship From VAT BIN","type":"text"},{"internalid":"custcol_ava_shipto_vat_bin","label":"Ship To VAT BIN","type":"text"}]},"quantityavailable":6.0,"outofstockmessage":"","displayname":"TBK007085","storedisplayname2":"Disaster Recovery Of Modern Information Carriers (Paperback)","storedescription":"Summarizes procedures for disaster recovery following immersion in water. Procedures also include dealing with media that have deposits on them or have been exposed to heat, dirt, mould, & shock. Procedures are a compilation of information from the few case histories published, recommendations made by experts, & research performed at the Canadian Conservation Institute.","custitem_ec_exclude_from_site_search":false,"location":"NY Warehouse","urlcomponent":"Disaster-Recovery-Of-Modern-Information-Carriers"},{"isinstock":true,"onlinecustomerprice":120.0,"custitem_ec_show_as_category":false,"ispricevisible_detail":{"inpersonalizedcatalog":true,"bycurrentuserloginstatus":true},"ispurchasable_detail":{"inpersonalizedcatalog":true,"bystockavailability":true},"itemid":"TBK007093","ispricevisible":true,"ispurchasable":true,"onlinecustomerprice_formatted":"$120.00","stockdescription":"","isbackorderable":false,"itemimages_detail":{"PARENT":{"urls":[{"altimagetext":"","url":"https://www.talasonline.com/images/TBK007093_PARENT-0.jpg"}]}},"onlinecustomerprice_detail":{"onlinecustomerprice_formatted":"$120.00","onlinecustomerprice":120.0},"custitem_product_badges":" ","custitem_f_color":" ","internalid":32571,"showoutofstockmessage":false,"outofstockbehavior":"Disallow back orders but display out-of-stock message","itemtype":"InvtPart","itemoptions_detail":{"fields":[{"internalid":"custcol_item_weight","label":"Item Weight","type":"text"},{"internalid":"custcol_item_weightunit","label":"Item Weight Unit","type":"text"},{"internalid":"custcol_pacejet_item_weight","label":"Pacejet Weight","type":"float"},{"internalid":"custcol_ava_item","label":"Item","type":"text"},{"internalid":"custcol_ava_incomeaccount","label":"IncomeAccount","type":"text"},{"internalid":"custcol_ava_taxcodemapping","label":"TaxCode Mapping","type":"text"},{"internalid":"custcol_ava_udf1","label":"UDF1","type":"text"},{"internalid":"custcol_ava_udf2","label":"UDF2","type":"text"},{"internalid":"custcol_ava_upccode","label":"UPC Code","type":"text"},{"internalid":"custcol_ava_pickup","label":"Pick Up","type":"checkbox"},{"internalid":"custcol_ava_taxamount","label":"Tax Amount","type":"currency"},{"internalid":"custcol_ava_shipfrom_vat_bin","label":"Ship From VAT BIN","type":"text"},{"internalid":"custcol_ava_shipto_vat_bin","label":"Ship To VAT BIN","type":"text"}]},"quantityavailable":9.0,"outofstockmessage":"","displayname":"TBK007093","storedisplayname2":"Gels in the Conservation of Art","storedescription":"Click here to peek inside this book!

This book contains the pre-printed papers and posters which were then presented at the Gels in Conservation conference, London 16-18 October 2017, plus an Appendix by Richard Wolbers 'Terminology and Properties of Selected Gels'.

The texts in this volume represent the current theory, research and practice on the use of gel materials for treatment processes in the conservation of objects of art and surfaces in the built environment.  The range of gels featured includes those drawn from the biological, cosmetic, and food industries, as well as emerging products created specifically for conservation purposes.

The growing importance of these materials and their positive impact on conservation and environmental practice in terms of the use of fewer solvent-based, less toxic materials represents one of the conservation profession's contributions to the green movement.  Some of the gel treatments discussed make for significantly safetr working conditions, and all of them seek to manage and reduce risks to artworks and objects undergoing treatment....helping to shape the path of future research in the specific area of cleaning fine art surfaces.","custitem_ec_exclude_from_site_search":false,"location":"NY Warehouse","urlcomponent":"Gels-in-the-Conservation-of-Art"},{"isinstock":true,"onlinecustomerprice":35.0,"custitem_ec_show_as_category":false,"ispricevisible_detail":{"inpersonalizedcatalog":true,"bycurrentuserloginstatus":true},"ispurchasable_detail":{"inpersonalizedcatalog":true,"bystockavailability":true},"itemid":"TBK007091","ispricevisible":true,"ispurchasable":true,"onlinecustomerprice_formatted":"$35.00","stockdescription":"","isbackorderable":false,"itemimages_detail":{"PARENT":{"urls":[{"altimagetext":"","url":"https://www.talasonline.com/images/TBK007091_PARENT-0.jpg"}]}},"onlinecustomerprice_detail":{"onlinecustomerprice_formatted":"$35.00","onlinecustomerprice":35.0},"custitem_product_badges":" ","custitem_f_color":" ","internalid":32560,"showoutofstockmessage":false,"outofstockbehavior":"Disallow back orders but display out-of-stock message","itemtype":"InvtPart","itemoptions_detail":{"fields":[{"internalid":"custcol_item_weight","label":"Item Weight","type":"text"},{"internalid":"custcol_item_weightunit","label":"Item Weight Unit","type":"text"},{"internalid":"custcol_pacejet_item_weight","label":"Pacejet Weight","type":"float"},{"internalid":"custcol_ava_item","label":"Item","type":"text"},{"internalid":"custcol_ava_incomeaccount","label":"IncomeAccount","type":"text"},{"internalid":"custcol_ava_taxcodemapping","label":"TaxCode Mapping","type":"text"},{"internalid":"custcol_ava_udf1","label":"UDF1","type":"text"},{"internalid":"custcol_ava_udf2","label":"UDF2","type":"text"},{"internalid":"custcol_ava_upccode","label":"UPC Code","type":"text"},{"internalid":"custcol_ava_pickup","label":"Pick Up","type":"checkbox"},{"internalid":"custcol_ava_taxamount","label":"Tax Amount","type":"currency"},{"internalid":"custcol_ava_shipfrom_vat_bin","label":"Ship From VAT BIN","type":"text"},{"internalid":"custcol_ava_shipto_vat_bin","label":"Ship To VAT BIN","type":"text"}]},"quantityavailable":16.0,"outofstockmessage":"","displayname":"TBK007091","storedisplayname2":"Greener Solvents in Conservation","storedescription":"You can have a look through the book here!

This handbook, published in association with Sustainability in Conservation focuses on organic solvents, their impact on human health and the environment and how they might potentially affect the materials of the artefacts which are worked on by conservators.

The aim is to assist in the eradication of the widespread use of the most harmful solvents by providing information to enable their identification and the most straightforward ways of determining alternatives that may be used in their place.

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Ambers, Higgitt and Saunders. The drawings discussed in this book, published in association with the British Museum, were included in the exhibition, Fra Angelico to Leonardo: Italian Renaissance Drawings, held at the British Museum, London and the Uffizi Gallery, Florence in 2010-2011. Technical studies of 47 of the British Museum's finest Italian Renaissance drawings are given based on non-invasive and non-contact examination and analysis. A pioneering publication which demonstrates the richness and depth of Renaissance drawings; showing them to be every bit as multi-layered and complex as paintings of the period. 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Keneghan","storedescription":"This volume of postprints of a conference held at the Victoria and Albert Museum, is intended as a marker in the sand, a record of current perceptions and considerations of plastics within museum collections. Artists' concepts of plastic as a medium, and their views of aging and decay, challenge museum ethics. The dichotomy between an artist?s intent and engagement with their contemporary culture and longevity has resulted in many different resolutions - from the display of original (decayed) materials to recording and recreating digital images of the original to the creation of aesthetically interpretable replicas. The balance between using and preserving ?plastic? artwork is a fine and delicate line of compromise. The complex enigma of how to identify from which (of the many) synthetic polymers, the mass-produced ?plastic objects? within our collections are formed, remains, as yet, unsolved. Instead, through experience, observation and research, museums are developing collecting policies, recording techniques and preservation strategies which take pragmatic and utilitarian approaches, differentiating between stable and unstable plastics on the grounds of age, color, design etc. Whilst generic understanding of decay mechanisms are becoming more fully understood, there has been limited success in creating the tight environmental controls needed to extend the longevity of plastic-based materials.","custitem_ec_exclude_from_site_search":false,"location":"NY Warehouse","urlcomponent":"Plastics"},{"isinstock":true,"onlinecustomerprice":53.2,"custitem_ec_show_as_category":false,"ispricevisible_detail":{"inpersonalizedcatalog":true,"bycurrentuserloginstatus":true},"ispurchasable_detail":{"inpersonalizedcatalog":true,"bystockavailability":true},"itemid":"TBK001121","ispricevisible":true,"ispurchasable":true,"onlinecustomerprice_formatted":"$53.20","stockdescription":"","isbackorderable":true,"itemimages_detail":{"PARENT":{"urls":[{"altimagetext":"","url":"https://www.talasonline.com/images/TBK001121_PARENT-0.jpg"}]}},"onlinecustomerprice_detail":{"onlinecustomerprice_formatted":"$53.20","onlinecustomerprice":53.2},"custitem_product_badges":" ","custitem_f_color":" ","internalid":386,"showoutofstockmessage":false,"outofstockbehavior":"- Default -","itemtype":"InvtPart","itemoptions_detail":{"fields":[{"internalid":"custcol_item_weight","label":"Item Weight","type":"text"},{"internalid":"custcol_item_weightunit","label":"Item Weight Unit","type":"text"},{"internalid":"custcol_pacejet_item_weight","label":"Pacejet Weight","type":"float"},{"internalid":"custcol_ava_item","label":"Item","type":"text"},{"internalid":"custcol_ava_incomeaccount","label":"IncomeAccount","type":"text"},{"internalid":"custcol_ava_taxcodemapping","label":"TaxCode Mapping","type":"text"},{"internalid":"custcol_ava_udf1","label":"UDF1","type":"text"},{"internalid":"custcol_ava_udf2","label":"UDF2","type":"text"},{"internalid":"custcol_ava_upccode","label":"UPC Code","type":"text"},{"internalid":"custcol_ava_pickup","label":"Pick Up","type":"checkbox"},{"internalid":"custcol_ava_taxamount","label":"Tax Amount","type":"currency"},{"internalid":"custcol_ava_shipfrom_vat_bin","label":"Ship From VAT BIN","type":"text"},{"internalid":"custcol_ava_shipto_vat_bin","label":"Ship To VAT BIN","type":"text"}]},"quantityavailable":11.0,"outofstockmessage":"","displayname":"TBK001121","storedisplayname2":"Protein Facts By Ml Florian","storedescription":"Fibrous proteins in cultural and natural history artifacts. 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The authors tackle the crucial question - whether there should be specific theoretical, ethical and aesthetical guidelines for the conservation and restoration of modern and contemporary art - by starting from important historical theories and seeing how these might be adapted to meet the demands of contemporary society in dealing with modern artworks and all the multiform cultural manifestations of today. Since the preservation of the concepts and ideas of contemporary art as well as the conservation or substitution of materials requires a highly sophisticated knowledge of the artist's intentions, a most important voice in this context - that of the artist - is found in the interviews with several contemporary artists and collectors assembled in the appendices. 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