{"total":17,"items":[{"isinstock":false,"onlinecustomerprice":45.0,"custitem_ec_show_as_category":false,"ispricevisible_detail":{"inpersonalizedcatalog":true,"bycurrentuserloginstatus":true},"ispurchasable_detail":{"inpersonalizedcatalog":true,"bystockavailability":true},"itemid":"TBK001111","ispricevisible":true,"ispurchasable":true,"onlinecustomerprice_formatted":"$45.00","stockdescription":"","isbackorderable":true,"itemimages_detail":{"PARENT1":{"urls":[{"altimagetext":"","url":"https://www.talasonline.com/images/TBK001111_PARENT1-0.jpg"}]}},"onlinecustomerprice_detail":{"onlinecustomerprice_formatted":"$45.00","onlinecustomerprice":45.0},"custitem_product_badges":"&nbsp;","custitem_f_color":"&nbsp;","internalid":5522,"showoutofstockmessage":false,"outofstockbehavior":"- Default -","itemtype":"InvtPart","itemoptions_detail":{"fields":[{"internalid":"custcol_item_weight","label":"Item Weight","type":"text"},{"internalid":"custcol_item_weightunit","label":"Item Weight Unit","type":"text"},{"internalid":"custcol_pacejet_item_weight","label":"Pacejet Weight","type":"float"},{"internalid":"custcol_ava_item","label":"Item","type":"text"},{"internalid":"custcol_ava_incomeaccount","label":"IncomeAccount","type":"text"},{"internalid":"custcol_ava_taxcodemapping","label":"TaxCode Mapping","type":"text"},{"internalid":"custcol_ava_udf1","label":"UDF1","type":"text"},{"internalid":"custcol_ava_udf2","label":"UDF2","type":"text"},{"internalid":"custcol_ava_upccode","label":"UPC Code","type":"text"},{"internalid":"custcol_ava_pickup","label":"Pick Up","type":"checkbox"},{"internalid":"custcol_ava_taxamount","label":"Tax Amount","type":"currency"},{"internalid":"custcol_ava_shipfrom_vat_bin","label":"Ship From VAT BIN","type":"text"},{"internalid":"custcol_ava_shipto_vat_bin","label":"Ship To VAT BIN","type":"text"}]},"quantityavailable":0.0,"outofstockmessage":"","displayname":"TBK001111","storedisplayname2":"Analysis Of Modern Paints","storedescription":"Although oil remains an important binding medium in artists' paints, today's synthetic resins are being used with increasing frequency. This was true during much of the twentieth century, when artists such as David Alfaro Siqueiros, Jackson Pollock, and Pablo Picasso used commercial or industrial paints based on synthetic resins. The growing popularity of synthetic resin materials carries important implications for the conservation, preservation, and treatment of modern art.  This volume outlines the techniques that are currently employed to analyze the synthetic resins used in modern painting materials, such as pyrolysis-gas-chromatography-mass spectrometry, Fourier Transform infrared spectroscopy, and direct temperature-resolved mass spectrometry. For each technique, results are given for standard samples of the principal classes of synthetic binding media, various pigments and extenders, tube paint formulations, and microscopic paint fragments taken from actual works of art.  Primarily intended for conservation scientists, conservators, researchers, and students of conservation, this book will also be of interest to other museum professionals.  Thomas J. S. Learner is senior scientist for contemporary art research at the Getty Conservation Institute and former senior conservation scientist at Tate, in London.  By Thomas J.S. 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The Restoration of Caravaggio?s The Beheading of Saint John the Baptist, by Marco Ciatti 16. The Battle of Meanee by Edward Armitage, 1847, by Claire Chorley 17. The Defeat of the Floating Batteries off Gibraltar by John Singleton Copley: History and Display, by Gerry Alabone with Louise Dandy 18. 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Wall paintings -ranging from delicate frescoes in Roman villas to larger decorative and figural schemes in churches, cathedrals, and domestic buildings- are the source for this conference. These works of art now suffer from environmental changes as well as past irreversible treatments. 200 pgs. 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88 Pages with 22 illustrations.&nbsp; Edited by Gwendoline R Fife.","custitem_ec_exclude_from_site_search":false,"location":"NY Warehouse","urlcomponent":"Greener-Solvents-in-Conservation"},{"isinstock":true,"onlinecustomerprice":65.0,"custitem_ec_show_as_category":false,"ispricevisible_detail":{"inpersonalizedcatalog":true,"bycurrentuserloginstatus":true},"ispurchasable_detail":{"inpersonalizedcatalog":true,"bystockavailability":true},"itemid":"TBK001107","ispricevisible":true,"ispurchasable":true,"onlinecustomerprice_formatted":"$65.00","stockdescription":"","isbackorderable":true,"itemimages_detail":{"PARENT":{"urls":[{"altimagetext":"","url":"https://www.talasonline.com/images/TBK001107_PARENT-0.jpg"}]}},"onlinecustomerprice_detail":{"onlinecustomerprice_formatted":"$65.00","onlinecustomerprice":65.0},"custitem_product_badges":"&nbsp;","custitem_f_color":"&nbsp;","internalid":5520,"showoutofstockmessage":false,"outofstockbehavior":"- Default -","itemtype":"InvtPart","itemoptions_detail":{"fields":[{"internalid":"custcol_item_weight","label":"Item Weight","type":"text"},{"internalid":"custcol_item_weightunit","label":"Item Weight Unit","type":"text"},{"internalid":"custcol_pacejet_item_weight","label":"Pacejet Weight","type":"float"},{"internalid":"custcol_ava_item","label":"Item","type":"text"},{"internalid":"custcol_ava_incomeaccount","label":"IncomeAccount","type":"text"},{"internalid":"custcol_ava_taxcodemapping","label":"TaxCode Mapping","type":"text"},{"internalid":"custcol_ava_udf1","label":"UDF1","type":"text"},{"internalid":"custcol_ava_udf2","label":"UDF2","type":"text"},{"internalid":"custcol_ava_upccode","label":"UPC Code","type":"text"},{"internalid":"custcol_ava_pickup","label":"Pick Up","type":"checkbox"},{"internalid":"custcol_ava_taxamount","label":"Tax Amount","type":"currency"},{"internalid":"custcol_ava_shipfrom_vat_bin","label":"Ship From VAT BIN","type":"text"},{"internalid":"custcol_ava_shipto_vat_bin","label":"Ship To VAT BIN","type":"text"}]},"quantityavailable":2.0,"outofstockmessage":"","displayname":"TBK001107","storedisplayname2":"Issues In The Conservation Of Paintings","storedescription":"This volume on paintings conservation includes more than seventy texts ranging from the fifteenth century to the present day. Some are classic and highly influential writings; others, although little known when first published, in retrospect reflect important themes and issues in the history of the field. Many appear here in English for the first time, including translations of D. Vicente Polero y Toledo's 1855 essay \"Arte de la Restauraci\" (The Art of Restoration) and Victor Bauer-Bolton's treatise from 1914, \"Sollen fehlende Stellen bei Gemen ergt werden?\" (Should Missing Areas of Paintings Be Made Good?). The book is divided into six sections: An Historical Miscellany, History of the Profession, Study of Artists' Materials and Techniques, Structural Interventions, Philosophical and Practical Approaches to Cleaning and Restoration, and Cleaning Controversies.  This is the second volume to appear in the Getty Conservation Institute's Readings in Conservation series, which publishes texts considered fundamental to an understanding of the history, philosophies, and methodologies of conservation.  David Bomford is senior restorer of paintings at the National Gallery, London. Mark Leonard is conservator of paintings at the Getty Museum.    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By Caroline Villers","storedescription":"The Conference on Comparative Lining Techniques held at the National Maritime Museum, Greenwich in 1974 is legendary. It was the first major conference solely concerned with the structural conservation of paintings and, by bringing together a distinguished international group of practitioners to discuss lining paintings, it changed the nature and status of the debate.  This volume contains the papers as originally presented, some of which have been brought up to date with the addition of commentaries.  A glossary of terms (previously issued as a handbook) and a new select bibliography are included.  <br />224 pages.","custitem_ec_exclude_from_site_search":false,"location":"NY Warehouse","urlcomponent":"Lining-Paintings"},{"isinstock":true,"onlinecustomerprice":71.75,"custitem_ec_show_as_category":false,"ispricevisible_detail":{"inpersonalizedcatalog":true,"bycurrentuserloginstatus":true},"ispurchasable_detail":{"inpersonalizedcatalog":true,"bystockavailability":true},"itemid":"TBK001143","ispricevisible":true,"ispurchasable":true,"onlinecustomerprice_formatted":"$71.75","stockdescription":"","isbackorderable":true,"itemimages_detail":{"PARENT":{"urls":[{"altimagetext":"","url":"https://www.talasonline.com/images/TBK001143_PARENT-0.jpg"}]}},"onlinecustomerprice_detail":{"onlinecustomerprice_formatted":"$71.75","onlinecustomerprice":71.75},"custitem_product_badges":"&nbsp;","custitem_f_color":"&nbsp;","internalid":11463,"showoutofstockmessage":false,"outofstockbehavior":"- Default -","itemtype":"InvtPart","itemoptions_detail":{"fields":[{"internalid":"custcol_item_weight","label":"Item Weight","type":"text"},{"internalid":"custcol_item_weightunit","label":"Item Weight Unit","type":"text"},{"internalid":"custcol_pacejet_item_weight","label":"Pacejet Weight","type":"float"},{"internalid":"custcol_ava_item","label":"Item","type":"text"},{"internalid":"custcol_ava_incomeaccount","label":"IncomeAccount","type":"text"},{"internalid":"custcol_ava_taxcodemapping","label":"TaxCode Mapping","type":"text"},{"internalid":"custcol_ava_udf1","label":"UDF1","type":"text"},{"internalid":"custcol_ava_udf2","label":"UDF2","type":"text"},{"internalid":"custcol_ava_upccode","label":"UPC Code","type":"text"},{"internalid":"custcol_ava_pickup","label":"Pick Up","type":"checkbox"},{"internalid":"custcol_ava_taxamount","label":"Tax Amount","type":"currency"},{"internalid":"custcol_ava_shipfrom_vat_bin","label":"Ship From VAT BIN","type":"text"},{"internalid":"custcol_ava_shipto_vat_bin","label":"Ship To VAT BIN","type":"text"}]},"quantityavailable":4.0,"outofstockmessage":"","displayname":"TBK001143","storedisplayname2":"Paint Research in Building Conservation","storedescription":"Over the past twenty years, architectural paint research has developed rapidly as a discipline that provides insights into the use of historic paint and the history and development of historic interiors, and is now recognised as an important tool in the conservation of historic buildings.  This volume of papers presented at the conference Architectural Paint Research in Building Conservation held at the National Museum of Denmark, Copenhagen, provides a unique overview and discussion of the latest developments within the field.  The book will be appreciated by architects and those responsible for the management of historic interiors as well as specialist researchers, conservators, decorators and interior designers.  Published in association with the National Museum of Denmark and with the support of English Heritage. <br />Hardback, 8.25\" x 11.75\", 224 Pages, 203 colour illustrations, 29 halftone.","custitem_ec_exclude_from_site_search":false,"location":"NY Warehouse","urlcomponent":"Paint-Research-in-Building-Conservation"},{"isinstock":true,"onlinecustomerprice":30.0,"custitem_ec_show_as_category":false,"ispricevisible_detail":{"inpersonalizedcatalog":true,"bycurrentuserloginstatus":true},"ispurchasable_detail":{"inpersonalizedcatalog":true,"bystockavailability":true},"itemid":"TBK001102","ispricevisible":true,"ispurchasable":true,"onlinecustomerprice_formatted":"$30.00","stockdescription":"","isbackorderable":true,"itemimages_detail":{"PARENT":{"urls":[{"altimagetext":"","url":"https://www.talasonline.com/images/TBK001102_PARENT-0.jpg"}]}},"onlinecustomerprice_detail":{"onlinecustomerprice_formatted":"$30.00","onlinecustomerprice":30.0},"custitem_product_badges":"&nbsp;","custitem_f_color":"&nbsp;","internalid":5448,"showoutofstockmessage":false,"outofstockbehavior":"- Default -","itemtype":"InvtPart","itemoptions_detail":{"fields":[{"internalid":"custcol_item_weight","label":"Item Weight","type":"text"},{"internalid":"custcol_item_weightunit","label":"Item Weight Unit","type":"text"},{"internalid":"custcol_pacejet_item_weight","label":"Pacejet Weight","type":"float"},{"internalid":"custcol_ava_item","label":"Item","type":"text"},{"internalid":"custcol_ava_incomeaccount","label":"IncomeAccount","type":"text"},{"internalid":"custcol_ava_taxcodemapping","label":"TaxCode Mapping","type":"text"},{"internalid":"custcol_ava_udf1","label":"UDF1","type":"text"},{"internalid":"custcol_ava_udf2","label":"UDF2","type":"text"},{"internalid":"custcol_ava_upccode","label":"UPC Code","type":"text"},{"internalid":"custcol_ava_pickup","label":"Pick Up","type":"checkbox"},{"internalid":"custcol_ava_taxamount","label":"Tax Amount","type":"currency"},{"internalid":"custcol_ava_shipfrom_vat_bin","label":"Ship From VAT BIN","type":"text"},{"internalid":"custcol_ava_shipto_vat_bin","label":"Ship To VAT BIN","type":"text"}]},"quantityavailable":2.0,"outofstockmessage":"","displayname":"TBK001102","storedisplayname2":"Personal Viewpoints: Thoughts About Paintings Conservation","storedescription":"Bringing innovative scientific techniques to an aesthetic endeavor, paintings conservators face countless decisions as they implement a course of treatment for each picture in their care.  The papers in this book, originally presented at a recent seminar organized by the Getty Museum, explore the values, assumptions, and goals that shape the work of paintings conservators. Six conservators, three curators, and a conservation scientist candidly reflect on the challenges in approaching specific works of art. Each conservator describes a successful conservation effort, as well as a project that, in retrospect, might have been approached differently. Their insights, the responses of the curators and conservation scientist, and the panel discussions contribute to a thoughtful analysis of the ever-evolving art and science of paintings conservation.  Mark Leonard is conservator of paintings at the Getty Museum. Contributors include David Bomford, senior restorer of paintings at the National Gallery, London; Philip Conisbee, senior curator of European paintings at the National Gallery of Art, Washington, D.C.; Carol Mancusi-Ungaro, director of conservation at the Whitney Museum of American Art; Andrea Rothe, formerly senior conservator for special projects at the Getty Museum; Ashok Roy, head of the scientific department of the National Gallery, London; Scott Schaefer, curator of paintings at the Getty Museum; Zahira V?z, freelance conservator and independent art historian; Jrgen Wadum, chief conservator at the Royal Cabinet of Paintings, Mauritshuis, The Hague; and John Walsh, director emeritus of the Getty Museum.   Edited by Mark Leonard.    136 pages, paperback","custitem_ec_exclude_from_site_search":false,"location":"NY Warehouse","urlcomponent":"Thoughts-on-Paintings-Conservation"},{"isinstock":true,"onlinecustomerprice":122.25,"custitem_ec_show_as_category":false,"ispricevisible_detail":{"inpersonalizedcatalog":true,"bycurrentuserloginstatus":true},"ispurchasable_detail":{"inpersonalizedcatalog":true,"bystockavailability":true},"itemid":"TBK001081","ispricevisible":true,"ispurchasable":true,"onlinecustomerprice_formatted":"$122.25","stockdescription":"","isbackorderable":true,"itemimages_detail":{"PARENT":{"urls":[{"altimagetext":"","url":"https://www.talasonline.com/images/TBK001081_PARENT-0.jpg"}]}},"onlinecustomerprice_detail":{"onlinecustomerprice_formatted":"$122.25","onlinecustomerprice":122.25},"custitem_product_badges":"&nbsp;","custitem_f_color":"&nbsp;","internalid":370,"showoutofstockmessage":false,"outofstockbehavior":"- Default -","itemtype":"InvtPart","itemoptions_detail":{"fields":[{"internalid":"custcol_item_weight","label":"Item Weight","type":"text"},{"internalid":"custcol_item_weightunit","label":"Item Weight Unit","type":"text"},{"internalid":"custcol_pacejet_item_weight","label":"Pacejet Weight","type":"float"},{"internalid":"custcol_ava_item","label":"Item","type":"text"},{"internalid":"custcol_ava_incomeaccount","label":"IncomeAccount","type":"text"},{"internalid":"custcol_ava_taxcodemapping","label":"TaxCode Mapping","type":"text"},{"internalid":"custcol_ava_udf1","label":"UDF1","type":"text"},{"internalid":"custcol_ava_udf2","label":"UDF2","type":"text"},{"internalid":"custcol_ava_upccode","label":"UPC Code","type":"text"},{"internalid":"custcol_ava_pickup","label":"Pick Up","type":"checkbox"},{"internalid":"custcol_ava_taxamount","label":"Tax Amount","type":"currency"},{"internalid":"custcol_ava_shipfrom_vat_bin","label":"Ship From VAT BIN","type":"text"},{"internalid":"custcol_ava_shipto_vat_bin","label":"Ship To VAT BIN","type":"text"}]},"quantityavailable":6.0,"outofstockmessage":"","displayname":"TBK001081","storedisplayname2":"Pigments Of English Medieval Wall Painting","storedescription":"In Pigments of English Medieval Wall Painting, the author demonstrates that the techniques of wall painting in medieval England were far more complex than had previously been supposed.  This is the first systematic analysis of the pigments employed in medieval wall paintings in northern Europe, covering an extensive selection of schemes from a variety of sites including parish churches, cathedrals and abbeys (Canterbury, Westminster, Norwich, Winchester, St Albans, Sherborne and Durham). The nature and extent of the palette used is revealed as well as the sophistication with which pigments were applied to achieve differing effects.  Thirty pigments are detected including four previously unknown in the context of English medieval wall paintings ? vivianite, salt green, kermes lake and madder lake. Also discovered are three alterations of pigments: the lightening of red lead; alteration of vivianite to a yellow form and the transformation of verdigris to a blue chloride-based alteration product. The use of different binding media employed for particular pigments in a single paint layer demonstrates the complex manner in which paintings were executed.  The findings, discussed in the context of wall painting, sculptural polychromy and panel painting techniques in medieval northern Europe, show the broad chronological development in the choice, fabrication and application of materials linked to changes in artistic intent, technology and workshop practice. Beautifully illustrated with more than 200 colour plates, Pigments of English Medieval Wall Painting has significant implications for the conservation methods of such paintings and is an important source of information for all those interested in pigments and paintings. CONTENTS.  Acknowledgements List of tables List of colour plates Abstract  1 Introduction Background to the research Overview of English medieval wall painting techniques.  The focus of this book Sources of information Chronological and geographical scope Initial summary of the results  2 Methodology Introduction Primary sources: medieval treatises, recipe books and accounts Secondary literature: antiquarian literature and more recent published sources The author's work and unpublished analytical sources Methods of scientific examination employed  3 Blue pigments: Ultramarine Vivianite, Egyptian blue, Azurite, Synthetic copper blues, Indigo  4 Green pigments: Green earth, Salt green, Malachite, Verdigris and copper resinate.  5 Red pigments: Vermilion, Red lake pigments, Red lead.   6 Red and yellow earth pigments  7 Yellow pigments: Orpiment, Lead-tin yellow.  8 White pigments: Lime white, Chalk, Calcium sulphate whites, Lead white, Bone white.  9 Carbon black pigments: Charcoal black, Bone black, Coal black, Black earth pigments.  10 Discussion Pigments previously unidentified in English medieval wall painting Use of pigments and the changing nature of English medieval wall painting Pigment alteration in English medieval wall painting Relationships with continental wall painting, polychrome sculpture and panel painting: implications for workshop practice Conservation implications of the present research Avenues for further research","custitem_ec_exclude_from_site_search":false,"location":"NY Warehouse","urlcomponent":"Pigments-Of-English-Medieval-Wall-Painting"},{"isinstock":true,"onlinecustomerprice":77.5,"custitem_ec_show_as_category":false,"ispricevisible_detail":{"inpersonalizedcatalog":true,"bycurrentuserloginstatus":true},"ispurchasable_detail":{"inpersonalizedcatalog":true,"bystockavailability":true},"itemid":"TBK001097","ispricevisible":true,"ispurchasable":true,"onlinecustomerprice_formatted":"$77.50","stockdescription":"","isbackorderable":true,"itemimages_detail":{"PARENT":{"urls":[{"altimagetext":"","url":"https://www.talasonline.com/images/TBK001097_PARENT-0.jpg"}]}},"onlinecustomerprice_detail":{"onlinecustomerprice_formatted":"$77.50","onlinecustomerprice":77.5},"custitem_product_badges":"&nbsp;","custitem_f_color":"&nbsp;","internalid":5413,"showoutofstockmessage":false,"outofstockbehavior":"- Default -","itemtype":"InvtPart","itemoptions_detail":{"fields":[{"internalid":"custcol_item_weight","label":"Item Weight","type":"text"},{"internalid":"custcol_item_weightunit","label":"Item Weight Unit","type":"text"},{"internalid":"custcol_pacejet_item_weight","label":"Pacejet Weight","type":"float"},{"internalid":"custcol_ava_item","label":"Item","type":"text"},{"internalid":"custcol_ava_incomeaccount","label":"IncomeAccount","type":"text"},{"internalid":"custcol_ava_taxcodemapping","label":"TaxCode Mapping","type":"text"},{"internalid":"custcol_ava_udf1","label":"UDF1","type":"text"},{"internalid":"custcol_ava_udf2","label":"UDF2","type":"text"},{"internalid":"custcol_ava_upccode","label":"UPC Code","type":"text"},{"internalid":"custcol_ava_pickup","label":"Pick Up","type":"checkbox"},{"internalid":"custcol_ava_taxamount","label":"Tax Amount","type":"currency"},{"internalid":"custcol_ava_shipfrom_vat_bin","label":"Ship From VAT BIN","type":"text"},{"internalid":"custcol_ava_shipto_vat_bin","label":"Ship To VAT BIN","type":"text"}]},"quantityavailable":14.0,"outofstockmessage":"","displayname":"TBK001097","storedisplayname2":"Preparation For Painting","storedescription":"The aesthetic qualities of a painted work of art are determined by composition, the colours used and the application method.  Equally important are the support and its preparation.  Preparatory layers are fundamental to a creative process and to the perception of  the work: they influence the final surface texture, the paints' luminosity and the durability of a painting.  For centuries painters were well aware of these facts and took great care in this stage of the process.  These papers were presented at the first conference devoted to preparatory layers used by artists, organized by the working group 'Paintings: scientific study, conservation and restoration' within the Conservation Committee of the International Council of Museums (ICOM-CC) in 2007 at the British Museum, London.    A wide range of issues is covered including the consideration of the preparatory layer(s)' function: optical properties, terminology, as well as materials and techniques used in the preparation of more unusual supports.  The results of technical examination, experimental reconstruction and analysis of documentary sources provide fascinating insights into the relationshoips between supports, preparatory layers and artistic forms of expression; they offer new insights on the origin and dissemination of certain techniques and related questions of artistic exchange.  Furthermore, the influence of preparatory layers on mechanical properties, changes in appearance and deterioration as well as the impact on conservation treatment decisions are explored.  The influence of the environment on traditional and modern materials is addressed.   Publication Date: July 2008 Over 126 illustrations, 216 pages (paperback)","custitem_ec_exclude_from_site_search":false,"location":"NY Warehouse","urlcomponent":"Preparation-For-Painting"},{"isinstock":true,"onlinecustomerprice":10.0,"custitem_ec_show_as_category":false,"ispricevisible_detail":{"inpersonalizedcatalog":true,"bycurrentuserloginstatus":true},"ispurchasable_detail":{"inpersonalizedcatalog":true,"bystockavailability":true},"itemid":"TBK001002","ispricevisible":true,"ispurchasable":true,"onlinecustomerprice_formatted":"$10.00","stockdescription":"","isbackorderable":true,"itemimages_detail":{"PARENT":{"urls":[{"altimagetext":"","url":"https://www.talasonline.com/images/TBK001002_PARENT-0.jpg"}]}},"onlinecustomerprice_detail":{"onlinecustomerprice_formatted":"$10.00","onlinecustomerprice":10.0},"custitem_product_badges":"&nbsp;","custitem_f_color":"&nbsp;","internalid":320,"showoutofstockmessage":false,"outofstockbehavior":"- Default -","itemtype":"InvtPart","itemoptions_detail":{"fields":[{"internalid":"custcol_item_weight","label":"Item Weight","type":"text"},{"internalid":"custcol_item_weightunit","label":"Item Weight Unit","type":"text"},{"internalid":"custcol_pacejet_item_weight","label":"Pacejet Weight","type":"float"},{"internalid":"custcol_ava_item","label":"Item","type":"text"},{"internalid":"custcol_ava_incomeaccount","label":"IncomeAccount","type":"text"},{"internalid":"custcol_ava_taxcodemapping","label":"TaxCode Mapping","type":"text"},{"internalid":"custcol_ava_udf1","label":"UDF1","type":"text"},{"internalid":"custcol_ava_udf2","label":"UDF2","type":"text"},{"internalid":"custcol_ava_upccode","label":"UPC Code","type":"text"},{"internalid":"custcol_ava_pickup","label":"Pick Up","type":"checkbox"},{"internalid":"custcol_ava_taxamount","label":"Tax Amount","type":"currency"},{"internalid":"custcol_ava_shipfrom_vat_bin","label":"Ship From VAT BIN","type":"text"},{"internalid":"custcol_ava_shipto_vat_bin","label":"Ship To VAT BIN","type":"text"}]},"quantityavailable":6.0,"outofstockmessage":"","displayname":"TBK001002","storedisplayname2":"Rediscovering Fra Angelico A Fragmentary History","storedescription":"By Kanter & Strehlke Exploring the history of the fragmentation of Renaissance art through the examination of four 14th century panels, which were recently confirmed to belong to a single triptych by the great Renaissance master Fra Angelico (ca.1395). 58 pages softcover","custitem_ec_exclude_from_site_search":false,"location":"NY Warehouse","urlcomponent":"Rediscovering-Fra-Angelico-A-Fragmentary-History"},{"isinstock":true,"onlinecustomerprice":54.8,"custitem_ec_show_as_category":false,"ispricevisible_detail":{"inpersonalizedcatalog":true,"bycurrentuserloginstatus":true},"ispurchasable_detail":{"inpersonalizedcatalog":true,"bystockavailability":true},"itemid":"TBK001083","ispricevisible":true,"ispurchasable":true,"onlinecustomerprice_formatted":"$54.80","stockdescription":"","isbackorderable":true,"itemimages_detail":{"PARENT":{"urls":[{"altimagetext":"","url":"https://www.talasonline.com/images/TBK001083_PARENT-0.jpg"}]}},"onlinecustomerprice_detail":{"onlinecustomerprice_formatted":"$54.80","onlinecustomerprice":54.8},"custitem_product_badges":"&nbsp;","custitem_f_color":"&nbsp;","internalid":372,"showoutofstockmessage":false,"outofstockbehavior":"- Default -","itemtype":"InvtPart","itemoptions_detail":{"fields":[{"internalid":"custcol_item_weight","label":"Item Weight","type":"text"},{"internalid":"custcol_item_weightunit","label":"Item Weight Unit","type":"text"},{"internalid":"custcol_pacejet_item_weight","label":"Pacejet Weight","type":"float"},{"internalid":"custcol_ava_item","label":"Item","type":"text"},{"internalid":"custcol_ava_incomeaccount","label":"IncomeAccount","type":"text"},{"internalid":"custcol_ava_taxcodemapping","label":"TaxCode Mapping","type":"text"},{"internalid":"custcol_ava_udf1","label":"UDF1","type":"text"},{"internalid":"custcol_ava_udf2","label":"UDF2","type":"text"},{"internalid":"custcol_ava_upccode","label":"UPC Code","type":"text"},{"internalid":"custcol_ava_pickup","label":"Pick Up","type":"checkbox"},{"internalid":"custcol_ava_taxamount","label":"Tax Amount","type":"currency"},{"internalid":"custcol_ava_shipfrom_vat_bin","label":"Ship From VAT BIN","type":"text"},{"internalid":"custcol_ava_shipto_vat_bin","label":"Ship To VAT BIN","type":"text"}]},"quantityavailable":18.0,"outofstockmessage":"","displayname":"TBK001083","storedisplayname2":"Studies In The History of Painting Restoration","storedescription":"This book reveals an interesting and detailed account of the materials and methods used, the interaction between restorer, curator and collector and different philosophical approaches towards restoration and the care of paintings.  Paperback 184 Pages 28 half-tone Illustrations","custitem_ec_exclude_from_site_search":false,"location":"NY Warehouse","urlcomponent":"Studies-In-The-History-of-Painting-Restoration"},{"isinstock":true,"onlinecustomerprice":78.75,"custitem_ec_show_as_category":false,"ispricevisible_detail":{"inpersonalizedcatalog":true,"bycurrentuserloginstatus":true},"ispurchasable_detail":{"inpersonalizedcatalog":true,"bystockavailability":true},"itemid":"TBK001092","ispricevisible":true,"ispurchasable":true,"onlinecustomerprice_formatted":"$78.75","stockdescription":"","isbackorderable":true,"itemimages_detail":{"PARENT":{"urls":[{"altimagetext":"","url":"https://www.talasonline.com/images/TBK001092_PARENT-0.jpg"}]}},"onlinecustomerprice_detail":{"onlinecustomerprice_formatted":"$78.75","onlinecustomerprice":78.75},"custitem_product_badges":"&nbsp;","custitem_f_color":"&nbsp;","internalid":381,"showoutofstockmessage":false,"outofstockbehavior":"- Default -","itemtype":"InvtPart","itemoptions_detail":{"fields":[{"internalid":"custcol_item_weight","label":"Item Weight","type":"text"},{"internalid":"custcol_item_weightunit","label":"Item Weight Unit","type":"text"},{"internalid":"custcol_pacejet_item_weight","label":"Pacejet Weight","type":"float"},{"internalid":"custcol_ava_item","label":"Item","type":"text"},{"internalid":"custcol_ava_incomeaccount","label":"IncomeAccount","type":"text"},{"internalid":"custcol_ava_taxcodemapping","label":"TaxCode Mapping","type":"text"},{"internalid":"custcol_ava_udf1","label":"UDF1","type":"text"},{"internalid":"custcol_ava_udf2","label":"UDF2","type":"text"},{"internalid":"custcol_ava_upccode","label":"UPC Code","type":"text"},{"internalid":"custcol_ava_pickup","label":"Pick Up","type":"checkbox"},{"internalid":"custcol_ava_taxamount","label":"Tax Amount","type":"currency"},{"internalid":"custcol_ava_shipfrom_vat_bin","label":"Ship From VAT BIN","type":"text"},{"internalid":"custcol_ava_shipto_vat_bin","label":"Ship To VAT BIN","type":"text"}]},"quantityavailable":34.0,"outofstockmessage":"","displayname":"TBK001092","storedisplayname2":"Studying And Conserving Paintings Samuel H. Kress Collection","storedescription":"This is the first volume of Occasional Papers on the Samuel H. Kress Collection and is published in the memory of Mario Modestini.   The book marks the tenth aniversary of the advanced training in Old Masters conservation sponsored by the Kress Foundation at the Conservation Center of the Institute of Fine Arts of New York University.  The first part of the book is an overview of historic approaches to the conservation of European paintings and the conservation history of the Kress collection of paintings (which was formed between 1929 and 1961). The second part gives the results of scientific and humanistic research gained in the process of conserving specific Italian and Dutch Old Masters.   Contents:  1. Overview  The Samuel H. Kress Collection: Conservation and Context Marilyn Perry The Samuel H. Kress Program in Paintings Conservation at the Conservation Center, Institute of Fine Arts, New York University Margaret Holben Ellis Introduction to the Volume Michele Marincola  Acknowledgements Michele Marincola   2. Historical Papers  Philosophies and Tastes in Nineteenth-Century Paintings Conservation Wendy Partridge  Stephen Pichetto, conservator of the Kress Collection 1927-1949 Ann Hoenigswald Mario Modestini, Conservator of the Kress Collection 1949-1961 Dianne Modestini  3. Technical Studies & Treatment  A New Leaf: Recent Technical Discoveries in the Goodhart Ducciesque Master's Madonna and Child with Four Saints Jennifer Sherman Botticelli's Nativity Charles R. Mack Art The Re-use of a Desco da Parto Mika Okawa & Dianne Dwyer Modestini The Triumphs of Petrarch: An Analysis of a Renaissance Decorative Cycle Wendy Partridge A Portable Triptych in El Paso Dianne Dwyer Modestini Guidoccio Cozzarelli?s Scenes from the Life of the Virgin Dianne Modestini School of Pietro Perugino, Saint Sebastian Annette Rupprecht & Sheri Francis Shaneyfelt The Master of the Manchester Madonna: Restoration, Technique, and a Context for Attribution Molly March Portrait of a Lady and Techniques in the late Paintings of Nicolaes Maes, and Painting Techniques in the Late Paintings of Nicolaes Maes Laurent Sozzani with Christopher McGlinchey View of the Molo: A Canaletto Attribution Reinstated Elise Effmann Canaletto Paints the Molo from the Ponte della Paglia Katharine Baetjer View of the Grand Canal with Dogana and Guardi Studio Pictures Helen Spande  Paperback, 230 pages 190 Illustrations","custitem_ec_exclude_from_site_search":false,"location":"NY Warehouse","urlcomponent":"Studying-And-Conserving-Paintings"},{"isinstock":true,"onlinecustomerprice":119.75,"custitem_ec_show_as_category":false,"ispricevisible_detail":{"inpersonalizedcatalog":true,"bycurrentuserloginstatus":true},"ispurchasable_detail":{"inpersonalizedcatalog":true,"bystockavailability":true},"itemid":"TBK001127","ispricevisible":true,"ispurchasable":true,"onlinecustomerprice_formatted":"$119.75","stockdescription":"","isbackorderable":true,"itemimages_detail":{"PARENT":{"urls":[{"altimagetext":"","url":"https://www.talasonline.com/images/TBK001127_PARENT-0.jpg"}]}},"onlinecustomerprice_detail":{"onlinecustomerprice_formatted":"$119.75","onlinecustomerprice":119.75},"custitem_product_badges":"&nbsp;","custitem_f_color":"&nbsp;","internalid":10759,"showoutofstockmessage":false,"outofstockbehavior":"- Default -","itemtype":"InvtPart","itemoptions_detail":{"fields":[{"internalid":"custcol_item_weight","label":"Item Weight","type":"text"},{"internalid":"custcol_item_weightunit","label":"Item Weight Unit","type":"text"},{"internalid":"custcol_pacejet_item_weight","label":"Pacejet Weight","type":"float"},{"internalid":"custcol_ava_item","label":"Item","type":"text"},{"internalid":"custcol_ava_incomeaccount","label":"IncomeAccount","type":"text"},{"internalid":"custcol_ava_taxcodemapping","label":"TaxCode Mapping","type":"text"},{"internalid":"custcol_ava_udf1","label":"UDF1","type":"text"},{"internalid":"custcol_ava_udf2","label":"UDF2","type":"text"},{"internalid":"custcol_ava_upccode","label":"UPC Code","type":"text"},{"internalid":"custcol_ava_pickup","label":"Pick Up","type":"checkbox"},{"internalid":"custcol_ava_taxamount","label":"Tax Amount","type":"currency"},{"internalid":"custcol_ava_shipfrom_vat_bin","label":"Ship From VAT BIN","type":"text"},{"internalid":"custcol_ava_shipto_vat_bin","label":"Ship To VAT BIN","type":"text"}]},"quantityavailable":7.0,"outofstockmessage":"","displayname":"TBK001127","storedisplayname2":"Studying Old Master Paintings: Technology and Practice Ed. 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The authors tackle the crucial question - whether there should be specific theoretical, ethical and aesthetical guidelines for the conservation and restoration of modern and contemporary art - by starting from important historical theories and seeing how these might be adapted to meet the demands of contemporary society in dealing with modern artworks and all the multiform cultural manifestations of today.  Since the preservation of the concepts and ideas of contemporary art as well as the conservation or substitution of materials requires a highly sophisticated knowledge of the artist's intentions, a most important voice in this context - that of the artist - is found in the interviews with several contemporary artists and collectors assembled in the appendices.  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